Frequently Asked Questions!
What is the difference between THE WESTMINSTER PLAYERS and THE BRONCWAY?
The Westminster Players oversees all LICENSED works (MTI/Concord Musicals/Plays) while The Broncway oversees all NON-LICENSED works (cabarets, new works, etc). While we encourage you to familiarize yourself with this distinction, it is neither here nor there since you will only encounter us as The Rider Student Theatre Company!
How many shows are produced each season?
Each year, we propose a minimum of one (1) licensed production per semester and a minimum of one (1) non-licensed production per semester. This has traditionally manifested in the production of a Fall/Spring Cabaret and a Fall/Spring Musical, plus our Annual Holiday Cabaret in December. As of the 2023-2024 season, we have made it our goal to produce a:
F1 Cabaret or New Work
F2 Play or Musical
F3 Cabaret or New Work
S1 Cabaret or New Work
S2 Play orMusical
S3 Cabaret or New Work
We wish to offer as many performance opportunities to the student-body as possible, and offering a diverse season of plays, musicals, cabarets, and original works is the best way for us to do so!
How is the season determined?
As stated in Article IX, Section 2 of our Constitution, “any student may propose a production by filling out a production proposal form,” which was sent out at the beginning of the summer to determine our current season. Once the form closed on August 1st, the EBoard met to narrow down the most highly suggested and/or appropriate submissions. The student-body was then able to vote on their favorites from the narrowed-down list via Google Form, and after twenty-four hours, the voting form was closed and the EBoard planned to submit for the rights to the Top 4 Musicals/Plays. While the actual process of selecting a season might differ from year to year, the student-body will always have a say in the shows they want to see produced under RSTC.
What shows should i not submit to see produced in the upcoming season?
A good rule of thumb is that if it was produced by RSTC within the previous four years, it doesn’t need to be produced again quite yet (see our Archive). Additionally, the licensing fees for certain shows are far too expensive for us to afford as an extracurricular club, or we are located too close to the city to be granted the rights regardless. Lastly and most importantly, although we are lucky to have the support of the DPA Faculty and the Dean of Students, we are still an entirely student-run producing org and as such, we are extremely limited in technical and monetary resources. When pitching shows, it is imperative that the concept is within our recourse-based limitations.
TLDR: It is best to avoid pitching productions that are too expensive or too technical!
I reserved more tickets than I will be using. Is there a way to edit the number of tickets under my order?
The only way to change the number of tickets you reserved for a performance is to cancel the reservation and re-order with the correct amount. The order cannot be otherwise edited. You can also reach out to our house manager and work it out as soon as you realize you will not be using all the tickets you reserved!
How can i stay up-to-date on information?
There are three ways for you to stay up-to-date on important announcements, reminders, and general information regarding our current season. For non-Rider students or staff, your best method is through this website! It is routinely updated with ticket reservation links, cast lists, show posters, and digital programs. For current students, your best methods are via our third-party Email List and our Instagram! By subscribing to our email list, you will receive detailed information regarding auditions, callbacks, performance reminders, and more (and you can unsubscribe at any time). By visiting our Instagram profile, you can explore the quick links in our bio and fill out any active forms, see pictures/videos from productions, and celebrate your classmates as they appear on our show banners. Whatever information gets facilitated through one source will always be facilitated through the others as well, however, we highly encourage you to navigate all three platforms however you see fit!
What is the EBoard?
The EBoard is comprised of RSTC's six (6) officers: the President, the Vice President, the Technical Director, the Secretary, the Historian, and the Treasurer. These individuals spearhead the club and its affairs on an organizational level. As stated in Article V, Section 1 of our Constitution:
"The Executive Board must consist of full-time undergraduate students enrolled at Rider University. This 'EBoard,' alongside their Faculty Advisor; the Associate Dean of Campus Life; the Director of Production Management; and the Scheduling Office, will be included in the selection and structuring of the organization’s academic season and the handling of contract violations. This Executive Board shall consist of:
President. Responsible for serving as the liaison between the Executive Board and the participating student body of all productions. Among other duties, they are expected to spearhead Executive Board meetings; oversee all productions—both licensed and original works; and keep regular checks on said productions to ensure that they are adhering to the agreed upon scope. The distinction between the works that they will oversee is described as follows:
a. Licensed Work. Copyrighted plays and musicals that required contractual permission—obtained by the Associate Dean of Campus Life—and a payment of royalties in order to produce.
b. Non-Licensed Work. Original plays and musicals written and composed by students, cabarets arranged by students, and works within the public domain.
*NOTE: the ideal candidate for the President is a returning senior member of the EBoard from the previous year.Vice President. Responsible for serving as the liaison between the Executive Board, the Student Government Association, and the corresponding Faculty/Staff at Rider University. Among other duties, they are expected to complete the re-registration process through BroncNation required for all student clubs and organizations to be recognized by the Student Government Association; assist the Associate Dean of Campus Life in obtaining licensing materials for productions; and reserve rehearsal and performance spaces through 25Live and the Scheduling Office.
*NOTE: the ideal candidate for the Vice President is an incoming junior who intends to shadow the President and assume their position the following year.Technical Director. Responsible for serving as a liaison between the Executive Board and the Department of Performing Arts Faculty. Among other duties, they are expected to create and manage a preliminary production calendar for every production; offer available resources and personnel to the participating student body via a tech request form; and meet with tech department heads to disclose the scope of the production(s) before approval of access to university resources may be granted.
Secretary. Responsible for facilitating communications between the Executive Board and the remaining student body. Among other duties, they are expected to create agendas for EBoard meetings and document the minutes of said meetings; oversee all Google correspondance (Gmail, Sites, Drive); and work closely with the Historian to design promotional content (show posters, programs).
Historian. Responsible for the documentation of club events. Among other duties, they are expected to either arrange or personally photograph and film produced productions both during rehearsals and performances; oversee the organization's presence on social media platforms; and work closely with the Secretary to design promotional content (show posters, programs).
Treasurer. Responsible for overseeing financial affairs. Among other duties, they are expected to maintain the annual budget allocated by the Student Government Association through budget planning; keep a record of outgoing funds to accurately compare with the record kept by the Associate Dean of Campus Life; and potentially provide students with the necessary resources for reimbursement.
(Revised April 2024)
Although all casting decisions require the EBoard's final approval, these individuals do not have say in who gets cast in any capacity beyond the Performer and Creative Contracts (ie: the EBoard may prevent a student from being cast if they are ineligible due to conflicts, but they may not prevent a student from being cast because they personally did not think they were fit for any particular role). Subsequently, individuals holding EBoard positions may also audition for RSTC productions, but they are not prioritized over any of their peers.
What is the Advising Board?
The Advising Board consists of a maximum of eight members, a House Manager, a Presented Works Director, an Outreach Director, and five technical department managers that fall directly under the Executive Technical Director. These individuals work in tandem with the EBoard to help with the things that either do not fall on the EBoard's direct responsibilities, or help support the members of the EBoard with their responsibilities.
As stated in Article V Section 3 of the Rider Student Theater Companies Constitution, "The Advisory Committee shall serve as an extension of the Executive Board. This Committee will be comprised of individuals with specific expertise to advise the EBoard based on their experience. Though they will not have an official vote, their input will be taken into consideration in the selection and structuring of the organization's academic season."
House Manager. Responsible for overseeing the execution of front of house duties for both Produced and Presented Works. Whether those duties are carried out personally or by an appointed third-party individual is up to the discretion of the House Manager and may vary from production to production. These duties, among others, include setting up and striking the house for performances and arriving in a timely manner to do so; scanning tickets at the door before performances; pointing audience members in the direction of bathrooms during intermission; and providing the Stage Manager(s) with an audience head count for their Performance Reports each night.
Presented Works Director. Responsible for serving as the liaison between the Rider Student Theatre Company and the "Producers" (typically, but not always, the directors) of Presented Works. Among other duties, they are expected to keep regular checks on these productions and advocate for the producers so that RSTC may assist in bringing their creative visions to life.
Outreach Director. Responsible for outreach to the broader Rider community. Among other duties, they are expected to develop ways to encourage the involvement of students outside of the Department of Fine and Performing Arts; serve as a point-person for other clubs and organizations on campus; and work closely with the Secretary and Historian to spread the word about RSTC to those who otherwise may not hear about us.
Department Director(s) Responsible for providing technical expertise from their respective fields of interest. These individuals, ideally, are currently employed as Federal Work Studies for the Department of Fine and Performing Arts at Rider and exhibit a positive working relationship with the Faculty/staff therein. Among their duties, which vary from shop to shop, they are expected to work closely with the Technical Director to offer available resources and personnel to the participating student-body. Experienced individuals may cover more than one discipline, which are as follows:
a. Electrics
b. Costumes
c. Properties
d. Paint
e. Carpentry
How do i become a member of the EBoard or advising Board?
As stated in Article V, Section 2 of our Constitution, "Executive Board members are chosen for one (1) academic term and may be reinstated for additional terms. Elections for Board members shall be held in the month of April before the end of every academic year." If you are interested in running for an EBoard position, you will have a chance to do so in the Spring so that the remaining student-body can vote before the semester concludes.